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Title:
Stephen King’s The Dead Zone: Special Collector’s Edition
Region: One
Genre: Drama
Stars: Christopher Walken, Brooke
Adams, Tom Skerritt, Herbert Lom, Anthony Zerbe, Colleen Dewhurst, Nicholas
Campbell, and Martin Sheen
Writer: Jeffrey Boam
Based On The Novel By: Stephen King
Director: David Cronenberg
Feature length: 103 minutes
Extras: Memories From The Dead
Zone, The Look Of The Dead Zone, Visions From The Dead Zone,
The Politics Of The Dead Zone, Theatrical Trailer, Previews
Languages: English Dolby Digital 5.1
and English Dolby Surround 2.0 and French Mono
Subtitles: English Closed Captions
and English Subtitles
Packaging: Keep Case
Chapter Stops: 16
Sound: Dolby Digital 5.1 Surround
Sound and Stereo Surround Sound and Mono Sound
Year of Theatrical Release: 1983/DVD
Release: 2006
Theatrical Distributor: Paramount
Pictures
Home Video Distributor: Paramount
Home Entertainment
MPAA Rating: R
Reviewer: Mark A. Rivera
There have been critics who have
described David Cronenberg's The Dead Zone as the best cinematic
adaptation of Stephen King bar none. I am not sure if this is true because I
have not read enough Stephen King to make that call, but I will say it is among
the best film adaptations of a King novel ever made and it is also one of David
Cronenberg's best films.
The film shows a remarkable amount
of restraint on Cronenberg's part and it shows that not only can Mr. Cronenberg
direct films without any real gore, but that the Canadian Auteur has a heck of a
lot more of a grasp for filmmaking and in particular presenting this visual
version of King's novel with such great care and perhaps more faithful than
people have given him credit for. On the part of Stephen King as an Author, the
film seems to follow the classic paradigm where the most fantastic things can
occur in the most unlikely of places and through unforeseen circumstances. Just
watch The Green Mile and see a miracle occur in the most unlikely place
with the most unexpected results. To coin the cliché phrase, "The Lord
moves through mysterious ways," seems to play an important part in King's
stories.
Another comparison between The
Green Mile and The Dead Zone is that both feature characters given
gifts of extraordinary power and both characters through most of the story do
not know why this has happened to them and have some reservation about using it
in the modern world. Christopher Walken delivers a great performance of a
schoolteacher who awakes from a five-year coma to find life has passed him by,
but left him with an amazing ability for foresight and empathy. Reluctant to use
his powers after discovering them accidentally, eventually his character is
forced to make a critical decision at the crossroads of humanity's future. The
dead zone is that area where one can change the outcome of the future, but to
what consequence is uncertain. As Johnny’s gift grows more powerful, his
Doctor (Herbert Lom) discovers through research that people with this ability
grow physically weaker. Thus this gift or curse depending on one’s point of
view becomes an affliction for Smith on both a physical, emotional, and mental
level.
The film also features good
supporting roles by Herbert Lom, Tom Skerritt, Anthony Zerbe, and Martin Sheen
as a psychotic senatorial hopeful with an eye on the Presidency. Screenwriter
Jeffrey Boam manages to keep the story going at a brisk pace without having it
feel rushed and Cronenberg's direction is excellent.
Paramount Home Entertainment’s DVD
edition of The Dead Zone features an anamorphic widescreen (1.85:1)
aspect ratio presentation. Originally released on a movie-only DVD in 2000, this
new Special Collector’s Edition seems clearer with less grain. The skin tones
seem more natural and the subdued look of the film never appears to take away
from the brooding winter settings. It might be one of the best looking and yet
somber feeling theatrical adaptation of a Stephen King book ever produced. I
think this DVD definitely looks better than the original. A full and ambient
English Dolby Digital 5.1 Soundtrack and a very natural English Dolby Surround
2.0 Soundtrack are encoded on to this DVD along with a Two-Channel French Mono
track and English Closed Captions for the Hearing Impaired as well as English
Subtitles are encoded on to the DVD as options too.
The theatrical trailer is also
presented in a 16 by 9 enhanced widescreen (1.85:1) aspect ratio. The new extra
value features are all presented in a (1.33:1) letterboxed aspect ratio and are
basically a series of featurettes that collectively become one documentary.
Memories From The Dead Zone (12:18) features new video interviews with
David Cronenberg and Actress Brooke Adams as well as Critic, Author, and
Biographer Douglas E. Winter, who discusses the state of King’s mind during
the writing of the book, which after the major successes he had encountered from
The Stand, The Shining, and Salem’s Lot seemed pivotal to
him that his next book would have to be something different and less of a horror
story as much as it should be a human drama. The pressure King felt to deliver
another bestseller also gave him a state of writer’s block I guess. He put
down the manuscript half way through writing the novel and began writing what
would become Firestarter before finally getting the inspiration he needed
to return and finished writing The Dead Zone and then he went on with Firestarter
and both would become big hits. Cronenberg was looking to direct something very
different from the last film he had directed, which was based on his own
original screenplay Videodrome. The Dead Zone would be the first
film he would direct that was not based on an original screenplay or story he
created. After reading various scripts written, Cronenberg felt Jeffrey Boam’s
adaptation captured the essence of the novel. The rest of the featurette covers
impressions of working with Christopher Walken from both Cronenberg and Actress
Brooke Adams. I thought Cronenberg’s personal view of adapting fiction into
film was particularly interesting. To paraphrase, he thinks that books are books
and films are films and if you expect a film to be an exact copy of the book
then you will be disappointed so he never tries to adapt a book that is a word
for word translation so much as to capture the fundamental nature of the novel
in a visual way. Considering the success Cronenberg has had adapting fiction
into films like The Naked Lunch and the 1997 film Crash (Not to be
mixed up with the Oscar winning film from 2005), I think it is hard not to agree
with Cronenberg in some respect.
The Look Of the Dead Zone
(9:23) covers the on-location Canadian towns and vistas used in what would be
the first feature film to portray King’s fictional town of Castle Rock. The
cinematography of Mark Irwin is discussed too. Visions From The Dead Zone
covers what is the only real gory moment from the film, which is the self
execution with scissors the Castle Rock killer performs in the bathroom, which
was Cronenberg’s idea since in the book Cronenberg states the guy just slits
his throat or something. Cronenberg even gives an on the spot psychological
profile for the killer and his relationship to his mother that I was quite
impressed with because it shows just how creative Cronenberg can be. The last
featurette The Politics Of The Dead Zone (11:32) explores the uneasy
questions the film raises as well as a coda that was ultimately unused as well
as Michael Kamen’s underlying score.
Previews for the 40th
anniversary of Star Trek on DVD as well as The 4400: The Complete
Second Season wrap up the extra value materials on the disc. The menus are
standard interactive still frames and are easy to navigate. This is a fine DVD
release that I think fans will be very pleased with. Stephen King’s The
Dead Zone: Special Collector’s Edition is available on DVD-Video now at
retailers on and offline courtesy of Paramount Home Entertainment.
© Copyright 2006 By Mark A. Rivera
All Rights Reserved.

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