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Title:
H.P. Lovecraft’s From Beyond: Unrated Director’s Cut
Region:
One
Genre:
Sci-fi Horror
Stars:
Jeffrey Combs, Barbara Crampton, Ken Foree, Ted Sorel, and Carolyn Purdy-Gordon
Writer:
Dennis Paoli
Adapted
From H.P. Lovecraft’s “From Beyond” By Brian Yuzna, Dennis Paoli, and
Stuart Gordon
Director:
Stuart Gordon
Feature
length: 86 minutes
Extras:
Audio Commentary With Director Stuart Gordon And Cast, The Director’s
Perspective Featurette, The Editing Room: Lost And Found Featurette,
Interview With The Composer Featurette, Photo Montage, Storyboard To Film
Comparisons With Introduction
Languages:
English Dolby Surround 4.0 Sound and French Mono Sound
Subtitles:
English Closed Captions and Subtitles For The Deaf And Hearing Impaired and
Spanish Language Subtitles
Packaging:
Amaray Keep Case
Chapter
Stops: 20
Sound:
Dolby Surround 4.0 Sound and Mono Sound
Year
of Theatrical Release: 1986/DVD Release: 2007
Theatrical
Distributor: Empire Pictures
Home
Video Distributor: Metro-Goldwyn-Mayer Home Entertainment Through Twentieth
Century Fox Home Entertainment
MPAA
Rating: Not Rated
Reviewer:
Mark A. Rivera
For
more than ten years, genre film fans have been requesting H.P. Lovecraft’s
From Beyond on DVD and now finally for the first time ever, From Beyond
is available in an Unrated Director’s Cut DVD courtesy of Metro-Goldwyn Mayer
Home Entertainment and Twentieth Century Fox Home Entertainment.
After the success of H.P. Lovecraft’s Re-Animator, Director
Stuart Gordon was given the opportunity to adapt another of Lovecraft’s
stories for the big screen. Gordon wanted to direct Dagon, but it was
felt at the time that a film about a remote town where the inhabitants are
slowly evolving into fish like creatures was too absurd. So Gordon was given the
choice of either directing Lovecraft’s Dreams In The Witch House or From
Beyond. Eventually Gordon would direct adaptations of both Dagon and Dreams
In The Witch House. Dagon was released on DVD in 2001 and Dreams
In The Witch House aired as an episode of Masters Of Horror on
Showtime in 2005 and is also available on DVD from Starz Entertainment. The
problem with adapting From Beyond was partially in the fact that the
story is only a few pages long and Gordon basically used up those pages in the
pre-credit opening sequence. From there Gordon had to extend the story, change a
few characters around, and then when it was all said and done, he had problems
with the MPAA, which forced him to cut key scenes related to gore and sex, but
thematically were important to the story.
More
than twenty years later, computer restoration on recently found work print
material was digitally cleaned as well as matched up for a new high definition
transfer that I believe aired on the HD satellite network Monsters and is
now made available on DVD. The restoration on the scenes is impressive. I could
not tell where they were inserted into the film. If sales of this DVD prove to
be profitable I hope MGM and Fox will release a true high definition disc
presentation on Blu-ray Disc. If H.P. Lovecraft’s From Beyond were
produced today, it would benefit greatly from advances in makeup and computer
generated effects. Sadly the effects, which were achieved with the assistance of
Greg Nictotero, are dated, but for nostalgic fans, it is refreshing to see some
traditional effects that I assure you seemed quite real when the film played on
the big screen back in 1986.
The
story is quite interesting though I think the film could have been more profound
had the graphic gore and sadomasochistic sex suggested had been played down and
the science of the story was beefed up a bit. Experimenting with creating new
vibratory fields of energy called the resonator by using tuning forks and
spectrums of light the human eye normally cannot see results in the opening of a
kind of parallel universe that can be experienced through the stimulation of the
pineal gland or “third eye” in the brain that is light sensitive, has an
effect on the sex drive, and is believed to be the gateway toward unlocking a
sixth sense. The creatures that exist in this world are around us all the time,
but we never are aware of them and they are never aware of us because we exist
as matter vibrating at different frequencies and in different light spectrums.
Thus they pass through us and we pass through them the same way we pass through
the air we breathe. However when the resonator is activated, the field creates
an area where we can see the creatures and they can see us, provided we move
since many appear to use different sensory organs other than eyes, as we
understand them. The creatures of this world are predatory and will attack
anything living from our world through being drawn by sources of light and
motion. When the resonator is on, they can’t pass through us and we can’t
pass through them and thus the mutual awareness attracts a Shoggoth, a vile
creature that gains sentience and understanding by ingesting the brain of the
victim. This binds the consciousness of the prey to the predator so that they
act as one being. However it is not entirely clear ever in the film whether the
Shoggoth is using the mind of the Doctor it attacks and eats to communicate and
lure the others into a trap or whether it is the Doctor who has gained control
of the shape shifting entity. They both may be in a constant state of flux,
which could explain some of the action that occurs near the end of the film or
they could be working together as one up until a certain point. I tend to think
they creature and the mind of the victim is working as one entity in the film,
but at the same time still experiences a state of flux as the victim serving as
a sort of parasite like explorer gradually loses his humanity and the nature of
the creature itself changes. Thus the union changes both species ultimately.
Much
of the behind-the-scenes information I have detailed above is actually based on
a feature length audio commentary featuring Director Stuart Gordon, Producer
Brian Yuzna and Actors Jeffrey Combs and Barbara Crampton. The commentary is
both humorous and extremely informative. The Shaggoth is a creature from
Lovecraft’s In The Mountains Of Madness that Gordon transplanted into From
Beyond though the name of the creature is never given in the film. Barbara
Crampton dressed in fetish costuming appeared in a Playboy spread with
various monsters, including possibly some from the film before From Beyond
was released theatrically.
The
audio commentary track is supported with 16 by 9 enhanced featurettes detailing
Stuart Gordon’s reflection on the film over twenty years later (9:50), a
demonstration of the restoration of From Beyond (4:45), an interview with
the film’s score Composer (4:33), a photo montage (4:43) and Storyboard to
completed scene comparisons with an angle switching feature allowing one to
examine only the storyboards themselves while the audio from the film plays and
one can at will switch back and forth between the boards and comparison windows
for scenes detailed as “Appearance Of Doctor Pretorius” (1:33), “Death Of
Bubba” (2:25), “Hospital Escape” (3:07) and “Katherine Frees Herself”
(1:18). There is also an introduction with Stuart Gordon (1:23).
Presented
in a (1.85:1) aspect ratio that is enhanced for widescreen TVs, From Beyond
looks terrific on DVD and while the back of the keep case packaging states
differently, there is actually a Dolby Surround 4.0 mix that can be artificially
changed to a Dolby Digital 5.1 Surround Sound mix depending upon one’s
receiver and there’s also a French Language Dubbed Mono mix too. English
Closed Captions and Subtitles for the Deaf and Hearing Impaired and Spanish
Language Subtitles are encoded as options for this DVD release too. The menus
are standard interactive still frames that are easy to navigate.
H.P.
Lovecraft’s From Beyond: Unrated Director’s Cut
is a must own addition to any fans’ movie library and is available now on DVD-Video
at retailers on and offline courtesy of Metro-Goldwyn-Mayer Home Entertainment
through Twentieth Century Fox Home Entertainment.
©
Copyright 2007 By Mark A. Rivera
All Rights Reserved.

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