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Title: The Haunting

Region: One

Genre: Supernatural Psychological Thriller

Stars: Julie Harris, Claire Bloom, Richard Johnson, and Russ Tamblyn

Writer: Nelson Gidding

Based On The Novel “The Haunting Of Hill House” By: Shirley Jackson

Director: Robert Wise

Feature length: 112 minutes

Extras: Commentary Track With Stars Julie Harris, Claire Bloom, Richard Johnson, and Russ Tamblyn, Screenwriter Nelson Gidding, and Director Robert Wise, Still Galleries, Essay, Theatrical Trailer

Languages: English and French Language Monaural Sound

Subtitles: English Captions and Closed Captions and French and Spanish Language Subtitles

Packaging: Snap Case

Chapter Stops: 30

Sound: Monaural Sound

Year of Theatrical Release: 1963/DVD Release: 2003

Theatrical Distributor: Metro-Goldwyn-Mayer

Home Video Distributor: Warner Home Video

MPAA Rating: G

Reviewer: Mark A. Rivera

I watch lots of horror movies, especially this time of year given the nature of my profession. As a result I think that sometimes I am a little desensitized to horror pictures than some friends of mine. Sometimes I will be told, “Oh that was so disturbing” and I will be surprised because I did not feel the same way. Yet there are some good horror pictures that I can honestly say are still frightening today or even some not so good ones that even I found disturbing. It is hard to face fears and so I imagine that a professional horror writer must be able to look into his or her own fears and be able to manifest them in some way that others can relate to. Fear of the unknown in all of its forms is the basis for any sort of horror story and our own mortality intensifies this anxiety. That is why I think horror films are popular on one level or another because they provide a safe and cheap temporary release from our fears. Ghost stories have been popular because of our mutual fear of death and forces beyond our understanding and our attraction or hope that if there is such a thing as ghosts or if the dead could indeed rise from their graves then maybe there is also a benevolent force out there too? So we might even take that basic premise of fear of the unknown and under closer scrutiny discover that we are also afraid to be alone.

What could be more terrible than to suffer alone without anyone who loves or cares for you? We all like to think that we are going to die in a bed surrounded by our family and friends, but the odds are we will be lucky if we die with some dignity at all. It is very disturbing to imagine what could happen and far more comfortable to tell ourselves that “we won’t go that way” or just to pretend dark possibilities do not apply or exist for us, but they might. So with Robert Wise’s original big screen adaptation of the Shirley Jackson novel “The Haunting Of Hill House” I was truck right away by the plight of the protagonist played by Julie Harris. Here is this woman who spent the better years of her youth taking care of her sick mother only to have her sister inherit everything and undergo the daily humiliation of being made to feel like a second class citizen by her own sister and in-laws. She’s treated with less respect than a child and in fact we see her own niece making fun of her right at the start. She’s desperate and alone now and so she takes the car she feels she has earned behind her sister’s back and rushes off with what little belongings she has and goes forth to Hill House where an experiment in parapsychology is going on and she has been invited to participate.

Despite the indifference of the other participants, she thinks of this as a vacation and soon believes the haunted house is somehow connected to her and she is finally where she belongs. Are we the viewers to think that she is on the verge of a nervous breakdown? Yes and no depending on whether one believes the final actions in the film are those of fate or tragedy or maybe both? In the end the scariest thing about “The Haunting” is there may be no right or wrong answer and like the other characters that somehow survive their encounter with the unexplainable forces that reside there, we know little more than they do with any certainty. For this reason alone if think the 1963 version is far better than the 1999 remake. Actually there are a lot of reasons why I think this original adaptation is better than the remake, but personally the darker and somewhat unresolved conclusion that leaves everything in our own minds to decide is ultimately more effective. One thing is for certain, I can see now where a lot of the clichés associated with the haunted house film originated from and without naming anyone or thing in particular, I can see where some writers and filmmakers were inspired by the film and some have successfully borrowed from it enough to make their story have a life of its own while others simply never got the balance right, but the intentions are still pretty clear.

With Halloween nearly upon us, now is as good a time as any to discover or rediscover “The Haunting” for yourselves with Warner Home Video’s DVD release that presents the film in a stark black and white anamorphic widescreen (2.35:1) aspect ratio with a clear English Monaural Soundtrack that preserves than manner in which the film was exhibited theatrically as close as possible for home video users. The picture and sound quality are quite clear and free of any sort of imperfections one might expect to a great degree with a 40-year-old film like this. A French Language Monaural Soundtrack and English Captions and Closed Captions for the hearing impaired as well as French and Spanish Language Subtitles are encoded on to the DVD as options too.

Stars Julie Harris, Claire Bloom, Richard Johnson, and Russ Tamblyn, Screenwriter Nelson Gidding, and Director Robert Wise participate in a feature length audio commentary track that is basically a mix of various separate interviews and or recording sessions, but depending on who is speaking, the commentary can be very screen specific and quite interesting or it could be somewhat self referential and dull. When Wise talks is when the commentary is at its best because he is able to communicate volumes of information including technical aspects in simple language and with few words. In other words he doesn’t pontificate. A gallery of excerpts from Wise’s shooting script and a gallery of various still photos, some paranormal notes or something, and one sheet art that can be skipped through using the remote are also included. The other extra value features include a cast and filmmaker list and some onscreen notes about the haunted house subgenre in films that is somewhat superficial and the theatrical trailer (2:31).  The menus are standard interactive still frames that are easy to navigate.

A classic of the genre, “The Haunting” is available on DVD-Video now at retailers on and offline from Warner Home Video.

© Copyright 2003 By Mark A. Rivera
All Rights Reserved.

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