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Title:
Shock Treatment: 25Th Anniversary Edition
Region:
One
Genre:
Musical
Stars:
Jessica Harper, Cliff De Young, Patricia Quinn, Richard O’Brien, Charles Gray,
Nell Campbell, Ruby Wax, Barry Humphries, Rik Mayall, and Jeremy Newson
Writers
Richard O’Brien and Jim Sharman:
Director:
Jim Sharman
Feature
length: 92 minutes
Extras:
Feature Length Audio Commentary By Shock Treatment Fan Club Presidents
Mad Man Mike and Bill Brennan, DTV Presents: A Shockumentary, Lets Rock’
‘n’ Roll: Shock Treatment’s Super Score Featurette, Original Theatrical
Trailer, and International Trailer
Languages:
English Dolby Digital 5.1 Surround Sound and Dolby Surround Sound and Spanish
Language Monaural Sound
Subtitles:
English Closed Captions and English Subtitles For The Deaf and Hard Of Hearing,
and French and Spanish Language Subtitles
Packaging:
Amaray Keep Case
Chapter
Stops: 32
Sound:
Dolby Digital 5.1 Surround Sound and Dolby Surround Sound, and Monaural Sound
Year
of Theatrical Release: 1981/DVD Release: 2006
Theatrical
Distributor: Twentieth Century Fox
Home
Video Distributor: Twentieth Century Fox Home Entertainment
MPAA
Rating: PG
Reviewer:
Mark A. Rivera
In
the mid 1970s Richard O’Brien’s The Rocky Horror Picture Show, based
on his stage musical, was released theatrically and at first failed to attract a
mainstream audience. However the film would soon grew to become a legend through
midnight screenings that developed into full out interactive experiences long
before the age of the home computer became common.
The Rocky Horror Picture Show would grow beyond the boundaries of
age, race, creed, and sexuality through the fantastic musical numbers, which
incurred a best-selling record and the superb and campy performances of then
still relatively unknown Actors Tim Curry, Barry Bostwick, Susan Sarandon, and a
small, but memorable cameo performance by Meatloaf. The Rocky Horror Picture
Show soon became a generational film with brothers and sisters imparting
their experiences of going to see a midnight show to their younger siblings. My
older brother took me to see it once when I was barely a teenager at a movie
theater in Brooklyn and years later I would go to Greenwich Village, Manhattan
with friends from high school and college and if there is a place to see and
gain the true interactive experience that simply can’t be translated to home
video, it was going to see The Rocky Horror Picture Show in the Village.
By that time however it was already the late 1980s and as successful as The
Rocky Horror Picture Show had become, a follow-up feature film entitled Shock
Treatment seemed to fall into cinema obscurity.
For
years there were rumors printed in Rocky Horror Picture Show fan
magazines about a direct sequel to the film, but nothing like this would ever
come to pass. Instead Actor and Writer as well as Song Writer Richard O’Brien
along with Writer and Director Jim Sharman took the further surreal adventures
of Brad and Janet Majors into a completely different direction that was at once
a product of the era in which it was produced and at the same time was way ahead
of it’s time in predicting the rise of reality TV, corporate megalomania, and
the Huxley like drugging of American citizens with various miracle pills to
treat real disorders like depression and anxiety for example, but ignoring the
most important part of any road to recovery, which is human contact and support.
Television
and computers have insulated us as a society in strange ways. You can go online
and look at and or buy virtually anything like ordering a pizza over the
telephone and the merger of media technology has made things like e-mail and
internet access as much of a necessity in the twenty-first century for Western
citizens on both sides of the Atlantic as having a telephone in one’s home
became a necessity for our parents’ generation. So while we may not all be
living in a giant TV studio in any literal sense, internally it is extremely
easy for post baby boomer generations to view their lives as if it were their
own reality TV shows. I suspect some now view it as video game too. I’d like
to think that with age comes maturity and the realization that everything we
watch and most of what we read is essentially a form of drama and thus needs to
be looked upon with a certain sense of healthy skepticism. Unfortunately we all
too often get too cut up in the drama and forget that like some form of sports
entertainment, the action onscreen may be real, but the outcome was
predetermined long before the two professional wrestlers entered the ring on a
primetime TV show.
You
know I think that there are certain films and books that should be required
viewing and reading regardless of one’s personal interest and I think that a
great way to remind people that much of what they see on TV is created for
entertainment value so one will keep returning day in and day out is to make
people do an internship on a film set or TV studio or work a few days as a
Production Assistant on a music video, commercial or industrial video and maybe
even an on location news crew because then it will hit home that the glamour of
show business is only skin deep and everyone who works in various capacities in
front or behind the screen are human. Perhaps that would help stop people from
harassing movie stars and instead start focusing on their own lives? I mean it
wouldn’t solve all the problems that occur in life because nothing ever does,
but it would at least help some people make the differentiation between what is
real and what is not. There’s nothing wrong with entertainment as long as you
can differentiate the difference between reality and fantasy.
Shock
Treatment
should not be taken literally like the giant dome of a studio built around Jim
Carrey’s character in The Truman Show and that is actually just as
allegorical as Shock Treatment or The Matrix Trilogy. Strip away
the music, glossy colors, outrageous characters, and humor from Shock
Treatment and it becomes a troublesome cautionary tale with a semi tragic
ending for the citizens of “Denton, The Home Of Happiness, USA” who
ultimately become little more than seduced inmates in Farley Flavor’s TV
studio, which happens to also be something akin to a giant mental hospital where
the audience ultimately become inmates, sacrificing their individuality and
humanity for Farley Flavors mad plan to enslave humanity through drugs
regardless if that drug is television, medications, or both because maybe if
they are lucky, they’ll get to appear on TV. They certainly will keep watching
it. In the end the only way to beat Flavors is not to participate. Thus the
losers who are kicked out of the studio at the end are really the winners
because they have escaped the matrix and rediscovered their individuality and
humanity.
Susan
Sarandon and Barry Bostwick did not return to reprise their roles from The
Rocky Horror Show for various reasons so Cliff De Young plays Brad and
Jessica Harper plays Janet in Shock Treatment while Richard O’Brien,
Patricia Quinn, “Little Nell” Campbell, and Charles Gray play different
characters that do seem to call to mind the characters they played in The
Rocky Horror Picture Show as a way of echoing beats from the original film,
but carrying the storyline in new directions. Jeremy Newson is the only actor
who returns from the first film playing the same character he did back then.
Otherwise Shock Treatment is not a sequel so much as it is a separate
entity onto itself that just happens to feature characters from another film and
definitely does what it can keep entertain the fans of The Rocky Horror Show
through visual nods and so forth, but at the same time being accessible to an
entirely new audience. You do not have to have seen The Rocky Horror Picture
Show to follow and enjoy Shock Treatment.
In
the feature length audio commentary with Shock Treatment Fan Club
Presidents Mad Man Mike and Bill Brennan, they keep referring to Shock
Treatment as a not a sequel to The Rocky Horror Picture Show, but an
equal. Well while I agree that Shock Treatment is not a sequel or at the
very least, the typical sequel to a cult hit gone mainstream, but I’m sorry to
say that Shock Treatment is not an equal and to call it so I think
misleads viewers who will then still expect something just like The Rocky
Horror Picture Show and become disappointed when they see the two films are
almost as different as night and day at times. That is perhaps what hurt the
film when it was first released in 1981 and is probably the reason why it has
never caught on quite the way The Rocky Horror Picture Show exploded into
pop culture. I even cringed when I heard some of the talk back interactions at
the screen that groups of people are encouraged to do at fan screenings. It just
didn’t feel the same and certainly doesn’t work personally for me as a
viewer.
The
films in many ways are so different that I think Shock Treatment probably
benefits now more from being a new DVD release while I still think The Rocky
Horror Picture Show works best when seen on the big screen with a large fan
audience. Now to be fair to Mad Man Mike and Bill Brennan, I have never seen Shock
Treatment on the big screen. I barely remember seeing it on VHS in the 1980s
so perhaps if I saw fan screening of Shock Treatment on the big screen
the way I saw The Rocky Horror Picture Show, I’d feel differently, but
in my opinion the experience of seeing The Rocky Horror Picture Show on
the big screen seems to be more like a right of passage and I would go on to
argue that the film probably relates more to young people than Shock
Treatment and perhaps the intended audience of Shock Treatment is an
older crowd that is past their teenage years and thus it reaches viewers of The
Rocky Horror Picture Show in their twenties, thirties, and maybe older and
probably carries more resonance with these age groups as a result. If one film
is kind of about rebellion and self-discovery then Shock Treatment is
about taking responsibility for one’s life in order to maintain that sense of
self and individuality because there are too many forces out there that will
gladly take control of your life for you if you let them.
The
25th Anniversary Edition DVD, which also happens to be the DVD debut
of Shock Treatment is bright and colorful with some scenes looking as
though they can pop right out of the screen while others purposely are marred
with various video noise and grain to remind us of the differences between the
world of the people on the stage and the puppet masters behind the scenes, the
world of the mass audience stuck day in and out on the bleachers, and the world
as it is captured on video circa 1981. Shock Treatment is presented in an
anamorphic widescreen (1.85:1) aspect ratio with a new English Dolby Digital 5.1
Surround Soundtrack mix that captures the infectious soundtrack beautifully. The
music of Shock Treatment appears to be influenced by very early 80s New
Wave much like The Rocky Horror Picture Show has elements of 70s
glam-rock in it. An English Dolby Surround Soundtrack and a Spanish Language
Monaural Soundtrack are encoded onto the DVD as well as English Closed Captions
and English Subtitles For The Deaf and Hard Of Hearing, and French and Spanish
Language Subtitles are provided as options too.
I
am not sure why, but in the featurettes as well as just about anything outside
of the movie and trailers, Richard O’Brien is nowhere to be seen or heard.
This is a disappointment considering it is the film’s 25Th
anniversary DVD debut and neither Shock Treatment nor The Rock Horror
Picture Show would exist without him and he did participate in the two-disc
DVD set Fox released for The Rocky Horror Picture Show a few years ago.
Anyone know why he did not participate on this DVD? Two featurettes with
new-videotaped interviews with Actor Cliff De Young and Actress Patricia
Quinn as well as the filmmakers are included and presented in 16 by 9 widescreen
regarding the making of the film (14:53) as well as the music of the film
(6:00). The (1.33:1) theatrical trailer (2:36) and a rather tinny sounding
international trailer (2:19) wrap up the extra value features on this DVD. The
interactive menus feature clips from the film, animated transitions and full
motion scene selections too and all are easy to navigate. Within the keep case
is a six-page booklet containing film facts, production information and quotes
from the film, scene selection information, and the address for the free Shock
Treatment fan club. Since some of you are likely to rent the film first
before buying it, so here is the information on the fan club for those who are
interested, but cannot buy the DVD at this time:
Just
send a self-addressed stamped envelope to:
Official
Shock Treatment Fan Club
118 Perry Street, #J46
New York, New York 10014
Shock
Treatment: 25Th Anniversary Edition
is available on DVD now both separately or within a DVD gift set that contains The
Rocky Horror Picture Show too at retailers on and offline courtesy of
Twentieth Century Fox Home Entertainment.
©
Copyright 2006 By Mark A. Rivera
All Rights Reserved.

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